ARTIST STATEMENT: 
I first became enamored with creating three-dimensional art in a metal sculpture class at the Corcoran School of Art in Washington, DC, and then began using wire mesh to create unique abstract shapes. Initially, I relied on a serendipitous construction process: creating random forms and experimenting with new materials, surfaces and color—elements that are still essential to my practice.  I lovingly refer to these “serendipities” as my “blob art”—a description bestowed on them by my then 7-year old god daughter as I chaperoned a 2nd grade art museum field trip.

The Covid years impacted my work in significant ways: the free form construction of earlier work gave way to a more structured framework with rhythmic curves, while playful color choices were replaced by a more intentional palette, frequently inspired by “place”—often the colors of Provincetown.  Perhaps the most significant change in these works was the “canvas” on these new armatures; I began using  Evolon, a microfiber fabric, and Flashe paint, which together create a luxurious matte finish.

In the most recent work, the collaged stripes and smooth surface of the Evolon work have been replaced by the subtle texture of Flashe on linen.  The lines now are painted, not collaged, giving me more control over width and placement.  My biggest inspiration continues to be the marshes, tidal flats, and beaches where I walk my pup daily and that provide a constant source of inspiration to the soul and the palette.

BIO:
​Paul Cunningham’s career has been characterized by an ongoing conflict between the left and right sides of his brain.  He spent 19 years in two separate stints working for members of Congress In Washington, beginning with the late, great Congresswoman Shirley Chisholm.  Between working for her and two Los Angeles based members of Congress, he managed to squeeze in close to a decade of work acting and teaching acting in and around Washington, DC.

 He left politicians for good in 2013 to begin this new creative path,  studying abstract art in studio classes at the George Washington University Corcoran School of Art and Design.   He remains a member of the “E Street Artists,” a close knit community of artists he met years ago at the Corcoran School, who continue to nurture each other in a weekly discussion and critique zoom that started during the Covid epidemic.

Here on the Cape, integral to his growth as an artist over the years have been studio classes and exhibition opportunities provided by the Provincetown Art Association and Museum (PAAM), the Provincetown Fine Arts Work Center, the Truro Center for the Arts at Castle Hill, and The Commons in Provincetown.   

After splitting time between Washington, DC and Provincetown MA for many years, Paul, his husband, and retriever moved full time to Provincetown in 2023.